History of the church
The history of the Saint Parascheva wooden church of Deseşti, currently listed as a UNESCO World Heritage Site, starts in 1770, when the locals erected it in the central-western part of the village.
The legend around the church
One legend has it that, following an invasion, the Tartars burnt down the village church, and then it took the villagers five attempts to finally locate the correct place to set the head-stone. Once they did, though, they managed to build one of the most representative monuments of XVIII century Maramureş.
From the outside, what strikes the viewer who stops to look at this church is the well measured harmony of its constituent elements and the exquisite care visible in the choice of the timber, the quality of all the joints, and the beauty of the sculptured decorations.
The painters have provided vivid illustration of the “Blood shedders”, “fornicators”, thieves, corrupt judges, and a “girl who sleeps on Sundays”. These are all painted either in the midst of flames and tortures or being carried in wheelbarrows towards the same end. But these gruesome images are balanced by representations of Heaven, painted on the eastern wall and illustrated through the image of the three patriarchs holding the souls of the chosen ones in their arms. Other religious themes amply represented in paintings are scenes from the Old Testament (namely the Genesis) and the New Testament (mainly miracles, parables and the Passions of Christ).
While the beauty of these paintings is breath-taking, it is by no means surprising, considering that they were all authored by accomplished painters, renowned for their artistic skills: Alexandru Ponehalschi painted the altar screen between 1778 and 1780, whereas all the subsequent paintings were authored by Radu Munteanu. Between 1996 and 1998 the church was subject to ample restoration works, which only served to enhance its charm. This is why it now stands ready to receive laic visitors and pilgrims alike, welcoming them with an atmosphere of pure beauty, remarkable artistry, enlightened serenity, and colorful meditation. Given its location on a hill, it is a place of ascent, both physical and spiritual, enjoyable to one and all
Once the visitor crosses its door-step, the inside of the church is just as impressive. While the paintings inside are considered by specialists to be of post-byzantine tradition, the style does have some features that are specific to Maramureş only. Most notable is the addition of particular characters in the scenes representing Hell: Laziness, Death, Plague and Hunger are four of the terrible demons that await those who have sinned.